SOURCE: This is an original cartoon from British Punch magazine, drawn by E. H. Shepard, published February 7, 1934 and pulled from the magazine; original, not a modern reproduction. Full size: 8 x 10 1/2 inches, including borders. Pictured image is slightly cropped. CONDITION: a excellent copy -- low-grade paper with light tanning (not ageing), otherwise the paper has been humidified and flatted and shows no handling or storage wear (ready for framing), clean; the backside has unrelated text with some possible show-through (ghosting) on the facing side--please look closely. THE BICYCLE MADE FOR TWO. John Bull “Bit of a mess still, Sam. Is that the best you can do with the poor old thing?” - -USA and UK relations, subject is money and Great Britain's remaining debt from WW 1 loans [?]. Front wheel bent into the shape of a dollar sign. Over 4,000 Punch cartoons listed for sale (store category "Punch cartoons"), combine orders and save shipping charges. Questions are always welcome. Please use 'Add to Basket' instead of 'Buy now' if buying more than one so that Pricetronic only charges one lot of postage per order. . WHO IS THE ARTIST ?: Ernest Howard Shepard (10 December 1879 – 24 March
1976) was an English artist and book illustrator. He is known especially for
illustrations of the anthropomorphic animal and soft toy characters in The Wind
in the Willows and Winnie-the-Pooh. He was also a prolific illustrator for the
British Punch satire magazine. WHAT IS PUNCH? Punch , a magazine of humor and satire, ran from 1841-2002. A very British institution renowned internationally for its wit and irreverence, it helped to coin the term "cartoon" in its modern sense as a humorous illustration. Punch was the world's most celebrated magazine of wit and satire. From its early years as a campaigner for social justice to its transformation into national icon, Punch played a central role in the formation of British identity -- and how the rest of the world saw the British nation. In its formative years Punch combined humors, illustration and political debate with a fresh and radical audacity. During its heyday in the late 1800s, it reflected the conservative views of the growing middle-classes and copies of it could be found in the libraries of diplomats, cabinet ministers and even royalty. In the Western world, Punch played a significant role in the development of satire. In the world of illustration, it practically revolutionized it. Over the decades as it charted the interests, concerns and frustrations of the country and today it stands as an in valuable source of cartoon art, satire, but as primary source material for historians.
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